Dark Spots In Cocoa Butter

Fespaco 2011: Mahamat-Saleh Haroun talks about his film

Chadian director of "A man who cries," Jury Prize at Cannes in 2010, led a master class on directing the actor, 28 February in Ouagadougou.

They came many, aspiring filmmakers, at the Higher Institute of Image and Sound (Isis) in Ouagadougou Monday, February 28, to attend a master class on "Problems of quality of staging and directing the actor in African films, organized by Africalia, an association funded by the Belgian Cooperation. But what puts a hundred students film, not so much the theme that the teacher of this course the public: the journalist and filmmaker Mahamat-Saleh Haroun, the first African to win the Jury Prize at Cannes in 2010 and the second African to be awarded at this festival with "A man who shouts" (2010, 92mn), also in competition at the Festival Pan-African film and television (Fespaco) in the feature film category.
For four hours, requiring Mahamat-Saleh Haroun has not ceased to be angry and be reconciled with his public. He first criticized the delay by students, then he almost tear the little hair he wears on his head when questions "Unwelcome" were put to him, and he was downright angry when students have had trouble throwing the screening of an excerpt from the film " Expectations "(2008, 28mn). Between crises, the filmmaker is said maverick criticized: "African cinema is essentially a caricature." He cites as evidence the numerous films condemning the immigration of Africans, so conveying the position of Northern governments. And yet, he said, Westerners have had to conquer the world to develop. Filmmaker 50 years is those who have crossed the mountains and seas to find their way. Fleeing civil war in Chad, he finds himself in Cameroon in 1980, then to Libya. Finally, he migrated to France where he still lives today.
on directing the actor, Mahamat-Saleh Haroun said that "we can not transmit the art of directing actors." Nevertheless, he shared his experience after a dozen films: "I leave plenty of room for improvisation ... It is important that the film raises the question of inner drama. For me, the best director is the one that disappears completely ... If no issues, no movies. And as said Sacha Guitry, there are no small roles, only small actors. " To be a good director, he gave his recipe: "A good general knowledge, talent and imagination." All this, along with much rigor.
Mahamat-Saleh Haroun ended with a little dig at the site of Fespaco: "" In 41 years, we Fespaco despair with its disorganization and incompetence of the people who work there. " He advised students to think outside the box and dream big. With this last recommendation "I hope you do not have the syndrome of Cameroon", in this case, lax.
Stephanie Dongmo Ouagadougou

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Fespaco 2011: The Saga of the Bambara kingdom of Segou

The historical series "The kings of Segou" Boubacar Sidibé Malian director who tells the foundation and the climax of this kingdom of the 18th century is competing in the fiction category Tv

history of the Bambara kingdom of Segou has become a legend. Several historians have tried to tell it, in different versions with common denominators for the drama and wonder. The writer Maryse Condé from Guadeloupe had already written the fall of Segou in the eponymous novel. Boubacar Sidibe, he has chosen to trace its genesis in a series of three television seasons of 21 episodes of 26 minutes, "Kings of Segou," produced by the Office de Radio Television du Mali (ORTM) Brico-films Sarama and movies. The series written and directed by Boubacar Sidibe brush over 105 years, history of the four kings who led Segou in its heyday: Biton, N'Golo, and Da Monzon.
The plot of the first season plunges us in a Malian village of the 18th century. By a result of serendipity, Biton Coulibaly, a peaceful hunter, finds himself enthroned as head of the village to protect it from thieves. Become powerful thanks to the jinn, he foiled the plots of his enemies. If men have the best role in this series, women are no less present, and especially manipulative. At this point Boubacar Sidibe told to one of his characters: "Never man can not understand the many facets of women". Humor fierce Sidibe helps refresh this historical series. This is particularly true when, in the first episode, a husband runs off with the arrival robbers abandoning his wife. Here, nothing has been left to chance: the sets are magnificent natural or implanted, the big shots that the director preferred the term used to enter characters in a society where silence is golden. The series is honorably worn by its players, including Kary B. Coulibaly, superb in the role of the griot in which he had excelled in "Dou" by the same director. A series in which Boubacar Sidibe has drawn heavily on players' Kings of Segou, the actors play knowing French does not run the streets in Mali, according explanations.
To address the unspoken history and the poor results of the literature search he conducted for a year, Boubacar Sidibe started his imagination, with varying degrees of success. Thus, long fake nails were placed on the fingers of the jinn, the risk of touching the grotesque and caricature. Kings of Segou in interest in history opens a new genre in TV series in Africa. For the director, the past provides insight into the future.
This series is competing in the TV Drama category at the 22nd Fespaco. In the past, Boubacar Sidibe had won two awards at Fespaco: Best Fiction Film TV in 2001 with "Seko" and in 2003 with "Sanoudje.
Stephanie Dongmo Ouagadougou

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Movies: 6 films at Fespaco

Started date, the Panafrican Film and Television of Ouagadougou ends next March 5.

The high mass of African cinema begins Saturday, February 26 next, in Ouagadougou, Burkina Faso. Sponsored by the Congolese historian Elikia M'Bokolo, it is under the theme "Cinema and Markets . Several Cameroonian filmmakers take an active part in the 22nd edition of Fespaco, as a member of a jury or with films in competition.

Jean-Pierre Bekolo is one of the seven judges of feature films. Cameroon is no film entered in this category where "A man who shouts" (92mn, 2010) of the Chadian Mahamat Saleh Haroun is favored. By cons, two Cameroonian films are in the short film category. This is "The metaphor of cassava (15mins, 2010) Lionel Meta, director installed in the United States, and" Marriage of Cotton "(15mins, 2010) Gérard Désiré Nguele Amougou living in Yaounde, where he heads the production company Tropic films. The first features a taxi driver, Colo., which transports a client from the airport. Hysterical, she tells the long series of misfortunes. The second tells the first anniversary of a couple, the wedding of cotton, which will prove fatal to the husband.

Emile Abessolo Mbo actor himself, is part of the documentary film jury. In this category, two Cameroonians films are in competition: "Ein Leben mit der duldung" (lives with tolerance) of Appolain Siewe, journalist and writer living in Germany. This film (46 min, 2010) traces the Betty course, an Angolan who lived for 18 years in Germany under the immigration status of pending repatriation. Because even if it works, it can be repatriated at any time without notice.

also Woukoache Francis, director and producer now living in Rwanda, chaired the jury for TV movies / video. In this category, the video "A Winter in Africa" (9 minutes, 2010) and Clement Ndzana Dadjeu Paulin, is competing with other 23 projects. It tells the stories of Malick Samba, an undocumented living in the West. After two years together, he will marry Josie, his white mistress to have finally papers? In Category view feature, "Wamba" (106mn, 2009), a film by Yves Tchouta. In a ghetto in Nairobi, AIDS is wreaking havoc. Some point the finger of witchcraft and decide to do battle with Wamba, whose father and mother died of AIDS in the same day.

Out of competition, "Sawa, Douala beautiful" (26mn, 2009) Martin Nganguem Kandemir, who said a return to the country, appears in the list of African documentaries Acp, implemented by the secretariat of the Group of African States, Caribbean and Pacific, from the information contained in the catalog Fespaco 2011.

reminder, so far, Jean-Pierre Dikongue Pipa is the only Cameroonian to have won the Stallion of Yennenga, the Grand Prize Fespaco with "Muna Moto" in 1976.

Stephanie Dongmo

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Cameroonian Goddy Leye died


The Cameroonian artist died on February 19 as a result of a short illness at the age of 45.

The news spread in the field of art as contemporary Cameroonian wildfire Saturday morning: Goddy Leye is dead! The artist died in the night from Friday to Saturday last to the District Hospital in Douala Bonassama, following a short illness.

His real name Godfried Kadjo, Goddy Leye was born November 24, 1965. Between 1987 and 1992 he trained at the School of Pascal Kenfack, artist and art historian. Between 2001 and 2002, Goddy Leye will further his training in the Netherlands. He began his career as an artist and, gradually evolving into other forms of expression: photography, installation and video. In 2003, Goddy Leye creates space Art Bakery Douala, which hosts artists from around the world in creative residency.

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Photo: Press Awards 2010

The South African Jodi Bieber won first prize for portrait of an Afghan woman disfigured by the Taliban.

Pub on the front page of Time Magazine on August 1, 2010 , the photo of the South African Jodi Bieber won first prize at the World Press Photo Awards 2010 in category "Portraits" . It shows the Afghan Bibi Aisha, whose nose and ears were cut off by the Taliban who accused him of leaving the house of her husband.

Two photographers from Agence France-Presse was also rewarded for their reports, the French Olivier Laban-Mattei and Christophe Archambault getting respectively the first prize in the category "General Information" and the third prize in the category "Nature" . Olivier Laban-Mattei has been rewarded for a story in Port-au-Prince after the earthquake of January 2010 in Haiti. On one of his photos, taken at the morgue of a hospital in the city, a man throws the body of a child on a pile of corpses. Christophe Archambault has meanwhile been rewarded for a series of shots of the Bromo volcano on Java island, topped by a thick cloud of ash.

The jury also awarded a special mention to a series of twelve photographs taken by Chilean miners stranded for 69 days to 700 meters deep in the mine San Jose. The record number of 108,059 picture was submitted for the 2010 edition the jury, which was awarded in nine categories 56 photographers from 23 different nationalities.

Source: AFP

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Word Book: A School polygamy


} In his first novel, tells Amal Dajïli Amadou attitudes that four Muslim women have adopted in order to share a husband.

It is with some regret that the reader closes this book of 134 pages, as the story it tells is amazing. Published by Ifriqiyah "Walaande, the art of sharing a husband" comes on a hackneyed theme: polygamy in a Muslim family. But Amadou Djaïli Amal came to renew it brilliantly in telling the existence of four co-wives who, surprisingly, shifted and personal, live their daily fact of patience, secrets and unspoken for crossing time and survive the tests.

Sakina is the last wife. She worked in a bank when she agreed to marry Oumarou, a wealthy merchant of Maroua she was in love. Since then, her life comes down to await his "walaande" turn to sleep with her husband. But secretly, she takes the pill to stop childbearing. Nafissa, the third wife, is the youngest, most fragile too. Married 14 years to a man who intimidates, she could never fit into her home. She is in love with a doctor who becomes his lover. Djaïli, the second wife, is consumed by jealousy. Its time she devotes to concocting dirty tricks to harm her co-wives and to consult marabouts bewitch her husband. Aissatou, the "mother of the house," Oumarou married when he was a poor businessman. Over the years she has seen rich and away her. Bruised, she developed an excruciating wait.

Amidst these four women, Umaru, the cock of the farmyard, is also unhappy that one. His wives and children are only shadows that populate her life worse, the wolves that devour small fire Aissatou intimidated by his temper, his fatigue with the Djaïli jealousy Nafissa afraid of him, Sakina s' is far away from him, his children are foreigners.

And these children that come the revolution. The seemingly tranquil life of the family changes when Oumarou decides to marry three of his children without their consent. The son steals money from the father and fled with one of her sisters, while the other girl left to die of grief. Family breakdown. Disarmed, Oumarou faces his wives angry and more united than ever.

In this novel with autobiographical overtones, Amal Djaïli Amadou denounces discrimination against women. To make that charge less boring, she made a point of honor to delineate the universe of her heroines, to tell the banality of their humanity to finally take the reader through feelings. At the bend, she found a subject too often ignored in the Cameroonian literature: emotional loneliness of men in general and polygamous, in particular.

Like some of his characters, Amadou Djaïli Amal refused to stay locked in the compound of a polygamist. After Maroua, the graduate in business management is now based in Douala, where she is preparing a second novel.

Stephanie Dongmo

Djaïli Amadou Amal
Walaande. The art of sharing a husband
Editions Ifriqiyah
Collection
Near Yaounde, September 2010
134 pages, price: 3000Fcfa

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Book: Where I'll take ...


} Cameroonian Herve Madaya writer and photographer George A. French Bertrand just published an illustrated book, which is a call to travel.

A writer and photographer, two cultures and talents that come together to give birth to a collection of illustrated texts. "The blue of my eyes" of the Cameroonian Herve Madaya and George A. French Bertrand has been published by Creations in France. They are, in total, 19 short texts movements accompanied 18 photographs in black and silver white.

Madaya's writings are addressed to confide in and around this invisible friend. The narrator tells the little pleasures of life, as the acrid smell of dirt after a shower. It tells the child when the barefoot and carefree run in the dusty streets of the village. But he also recounts the drama, populated with nights of crying children, nangabokos who rape young girls and child soldiers who shoot other children. The words are terrible to describe the excesses of a society in crisis: "I am twelve years, I know to do the housework, dishes, laundry and field work for a family in return [...] me may send to school one day ... "In Madaya, horror is never far "Bikissou found herself alone with her stepfather [...] He goes down his pants, takes out her sex and forced him to suck. Suck'', Bikissou! Hold it with your little hands.'' When she received the sour liquid in her mouth, she can finally throw her head back and spit on his chin. " Disgusting! A feeling that writing Madaya delicate, caressing the words that appear, fails to keep quiet.

On the front cover of the book, the writer on the darts world a melancholy look as blue as the kaba which some women are in mourning, and not hide all the passions that lie dormant in him and that had the opportunity see bubbling in his first novel, "In the Footsteps of Saer (Ifriqiyah, 2009). His pen, more than a mode of expression, is a way of being. He puts his talent, the essence of his being.

photos, or nearly all speak the same language: that of poverty, resourcefulness, hard work. The goal of George A. Bertrand, author of several books of photographs made in Arab-Muslim countries, has captured precious moments, simple and harmless in Cameroon, which he immortalized. As texts, they are intimate, filled with poetry and song.

"The blue of my eyes" invites you to travel, friendship and transcendence, at the same time he advocates a world where children will be protected and loved. Odile Tobner, widow Mongo Beti, who signed the preface, says the ruling will be terrible pseudo-elites and foreign predators, "enjoying all the trappings of power, failed to protect either them or forge a future proud and independent. "

Hervé Madaya and George A. Bertrand dédicacent their book next March in Yaoundé.

Stephanie Dongmo

Madaya Hervé (text)

George A. Bertrand (photographs)

The blue of my eyes

Publishing Create

Paris, 2010

Price: 5000Fcfa

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Media: Joly Koum to Conac

journalist, who was previously director of the Information Channel2, resigned to join the National Anti-Corruption Commission.

Since Monday, February 7, 2011, Joly Koum took office at the Division of Prevention and Communication of the National Anti-Corruption Commission (Conac), the congress in Yaounde. The next day, February 8, according to our sources, he filed a letter of resignation by a bailiff in the general direction of Canal 2 International in Douala, where he was previously Director of Information. Reached by telephone yesterday, Chatu Emmanuel, the Director General of TV station, said not to be aware of the resignation. As in Joly Kum, he declined to comment on the matter. Our sources suggest that both parties reserve the right to use an arrangement.

Previously, Joly Kum, who worked at Channel 2 for seven years, had requested leave, which was granted, the 7 to 28 February 2011. At the end of the program "News Channel" edition of 6 February, he said goodbye to its viewers and announced that David Atemkeng was replaced during his absence. Last week, David Atemkeng was appointed coordinator of the writing of Yaounde. The journalist recruited in August 2010 at Channel 2 also takes the reins of programs aired by Joly Kum, "Channel News" and "word of man."

Joly's resignation comes Kum mark the end of the often tense relations between the journalist and his hierarchy Channel2. One remembers In July 2010, he was suspended for three months antenna, following an edition of "News Channel" in which panelists were critical of the Cameroonian customs, partner of Channel 2. Joly Kum has thus swell the ranks of journalists engaged in Conac, among whom Benjamin Fouda Effa, Guy Roger Eba'a Ngniman and Zechariah, a former CRTV, head besides the Prevention Division and Communication .

Stephanie Dongmo

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A film about Alpha Blondy

Alpha Blondy, a fight for freedom "traces the life and work of the star of African reggae.

Alpha Blondy, a fight for freedom, "a documentary Dramane Cisse and Antoinette Delafin, just released. Its filmmakers paint a portrait of reggae pioneer African aged 60 years and has over 30 year career. Life Seydou Kone, whose real name is traced through interviews. The film is so far not a hagiography. The artist has agreed to evoke less glorious aspects of his career: the drugs, the passage in a psychiatric hospital ... Controversial also, its constantly changing political sides.

Alpha Blondy was successively anti and pro-Houphouet-Boigny. At his death in December 1993, he supported his successor, Henri Konan Bedie, then he will challenge the xenophobic concept of ivoirité, and turned to his rival, Alassane Ouattara, like him, Muslim north and the target of this policy. But during the 2000 election, the singer endorsed the candidacy Laurent Gbagbo, while the opponent is the only candidate chosen weight against General Guei. Renewed support, said the film, during the campaign for the presidential election of 2010, although has since called his "brother Gbagbo" to recognize the victory of Alassane Ouattara . On camera, as a justification for these reversals, Alpha Blondy said following a board of Houphouet-Boigny who told him one day: "Why do you swim against the tide, it is easier to swim with the stream for citizenship. "

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Laminou Tilimdo: Filmmaker key-on


Writer, actor, director, editor and producer self-taught 39 years old, he has a dozen films distributed in the far north.

"Soureyya" (52 min, 2010), a film Laminou Tilimdo screened at International Film Festival Joint Ngaoundere in January 2011, was awarded the 1st Prize Short film. Acclaimed by the public, this film in French is the latest in a long list of works by the young 39 year old self, which combines all the caps of the production chain of a film: screenwriter, actor, director, editor, producer and distributor soon.

As far as he can remember Laminou Tilimdo always dreamed of making movies. In 1998, he joined an artists' association of Adamawa. Together, they embark on the production of films fufuldé "dabar Yaadou bee" and "Wada wasmita" come out the same year. This is the beginning of the career of the director and editor Laminou Tilimdo. But the young man thinks big. He wrote, directed and produced "Sey gedal" in 2003 and "Alkawal" in 2004. Released in DVDs and VCDs, films are distributed through shops Ngaoundere. As soon pirated, they are found in major cities of Adamawa, North and Far North, and up to N'Djamena, Chad. If money's not coming home Laminou Tilimdo, and especially the players of his films, gaining notoriety with the public.

In 2005, Laminou Tilimbdo wrote plays, directed and edited the film "Evil Djamba", shot in three parts of 60mn in fufuldé and subtitled in French. "The films in local languages are very welcomed by the public. But I want to give a chance for my films to be exported beyond the far north, "he says. The film, although 1000Fcfa sold is pirated." Distributors are the first pirates. Moreover, they do not always money revertants CDs sold, "complained Laminou Tilimdo.

In 2008, plural filmmaker wrote, directed and produced" Djannatou "and 2009" Djoonde Douniya. Echaudé by piracy, he is careful not to take them out on DVD. But the problem remains. "We must find ways to recover expenses incurred in the production of a film. Since there are no movie theaters, we're thinking a new form of distribution. I will restart production of films in home video when I set up a distribution network staff, "he warns.

Laminou Tilimdo faces lack of funding:" There is no patron nor sponsor, the distributors are not reliable and there is no diffuser, no movie theater. "Yet he was sure" we have the potential. What we lack is a framework that allows a good definition of roles. For it is not healthy to be an actor, screenwriter, director, editor, producer. This is dangerous in the extreme, because we only have his eye that is not necessarily criticism for his works, "he laments.

Stephanie Dongmo

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SOCILADRA: the General Assembly adjourned

The duel between Elise Mballa Meka and Hubert Mono Ndjana did not occur, a quorum of members does have not been met in Yaounde last Saturday.

The General Assembly (Ag) elective civil society human rights literature and drama (SOCILADRA) was referred to a later date. Ndo Daniel, the rapporteur of the committee election, explained that a quorum of members was not reached. artists of 1339, only 271 were counted Saturday in the hall of the Palais des Congress, which housed the meeting, attended by the Secretary General of the Ministry of Culture, Manaouda Malachi, and Chair of the Standing Committee of mediation and control (CPMC), Paulette Mvomo. "The status of SOCILADRA indicates that the Ag can deliberate as if half the members are present", ie 670 artists, "he added. The duel between Elise Mballa Meka, past president of the board and candidate to succeed himself, and Hubert Ndjana Mono, the other declared candidate, has not occurred. This did not prevent clashes between both sides.
24 artists from around the Bamenda and 16 other Bafoussam were denied access to the room, their names were not on the voters list. After consultation, the two candidates will set up a commission to assess the situation. This will finally allow artists in the Northwest to take part in the proceedings, on presentation of their moose certificates of deposit. The same measure will not apply to western artists. The Committee believes that the header of certain certificates of deposit, yet duly signed and stamped by the regional delegate, is not quite clear.
Coming out of the Ag aborted, Hubert Mono Ndjana suggested that the list of voters was inflated, "I am surprised that in two months, the number of SOCILADRA increased from 830 to nearly 1300 members. This cheating children, because now there is enough hos, so that this Ag is organized by consensus. " In response, Elise Mballa Meka said: "We presented all the lists to the Election Committee and the CPMC and were verified. Each name on the list is a folder, even if the folder is empty, because it is what we inherited from the former team ruling. On the issue of names not on the list of voters, it says that it has been published on the SOCILADRA and artists could make claims. Ag
The elective will be held on schedule by the statutes, that is to say a month, said the outgoing Pca. He added: "Many artists have been unable to move for lack of means. They should be aware that they take their responsibility. "
Saturday, journalists have not had access to the room work. The police posted at the entrance said they had received no orders to that effect.
Stephanie Dongmo

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Culture: The allocation will be revised

Ama Tutu Muna has announced the reform on Monday in Yaounde during the presentation ceremony vows.

Last Monday, the Minister of Culture, Ama Tutu Muna, received the New Year Greetings of staff of the Ministry of Culture (MINCULT), heads of agencies under the supervision of companies of collective rights management Copyright and Related Rights, as well as associations of artists and cultural enterprises.

In his review, the Secretary General of MINCULT, Manaouda Malachi, outlined the major achievements of the past year. Rank desquelless making the study of the National Arts and Letters and the Trust Account, for their redevelopment acquisition as a podium and construction of new headquarters MINCULT. The building is behind the National Museum is open from Monday, January 31, MINCULT and services have moved.

In his speech, Ama Tutu Muna rolled out the 2011 program of his department. A year that starts in a "context of budget constraint" and lack of staff (the need is about 300 employees), "she insisted. Therefore a priority, the implementation of legal deposit legislation, the establishment of a committee supervising the activities funded under the Trust account. The floor will also MINCULT on "thorny problem" of the perception of copyright (see Tip of the Day). When the National Festival of Arts and Culture (Fenac), Ama Tutu Muna has proposed that it be held in 2012.

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site Camer.be suspended


His Belgian host blames him for publishing messages and homophobic hatred Me Alice Nkom.

From January 26 to 16h, ilorsqu'on between the address www.camer.be in a search engine, a page appears with this message: "This account has been" Suspended ". Indeed, the site Camer.be was suspended by its host society Luxpixel based in Belgium. This closure occurs 24 hours after a warning Hugues Bertin Seumo, webmaster. Wednesday, some before the suspension, Maurice Straccialano, the head of Luxpixel.com, sent a further letter in which he discusses the reasons for the closure of the site "message on your website death threats and hate toward persons of Cameroonian lawyer Alice Nkom; message of hatred, homophobia and racism. "

To understand the case, we must go back to January 17, when an interview takes Camer.be Me Alice Nkom published by the daily Le Jour. The lawyer spoke after the minister of Foreign Relations has served his disapproval that the EU has granted a grant of 200 million CFA francs to the project support and mentoring minority homosexual. Camer.be on, this interview was followed by a press spokesman of the Rally of the Cameroonian youth. In this message muscled Sismondi Barlev Bidjoka asks the Cameroonian authorities to intercept this funding "unlawful interference constitutes a very serious in the sovereignty of Cameroon." Speaking of the EU, he argues that "we are not at home in Cameroon."

Immediately after these publications, responses, often violent, sometimes insulting, fused. On the site accessible through the cache until last night, it says: "We must burn the woman and all gay," "Satan wants a foothold in Cameroon through homosexuality" ... If Seumo Hughes argues that the offending messages were removed, he was surprised that Luxpixel has not closed as the site-camer sport.be. Part of the same group, Belgium Camer group remains active.

Created in 2005 by the Brussels group Camer Belgium, Camer.be, 30 000 daily visits, aims to inform the Cameroonian Diaspora on the news in Cameroon. Today, officials working on the site back online with another provider.

Stephanie Dongmo

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Documentary: The abject of colonization


"Africa 50" René Vautier, a scathing attack against French colonial policy prohibits France from 1950 to 1994, was screened on January 19 at the Cultural Center french Yaounde.

documentary In fact, it's a long story about the living conditions of the "natives" of Africa that the spectators were submitted Wednesday to the French Cultural Centre Yaounde. The film is a short film (17 minutes) shot black and white. The background is sound. The traditional African musical instruments arrived just in time to accompany the images real, poignant.

Here we see the convicts maneuver arm of the lock gates of the dam. There are men toiling under the sun in a boat load of bags of cocoa, with no hope of ever tasting chocolate that comes out. A little later, children frolic in the river Niger. Moreover, an entire village has been devastated. This filmed reality speaks for itself. But the text says René Vautier, after the actor approached to do was be withdrawn, more information. And it is a voice trembling with indignation, he recounts the atrocities of colonial soldiers on helpless people, and commented on the inhumane and humiliating tasks which they are subject to 50FF day. If children seem unconcerned, Vautier retorts: "What else would they do? For, only 4% of African children are enrolled, just enough to provide clerks to the colonial administration and accounting for corporations.

To defend a cause that he spontaneously kissed the director, now aged 83, shows the ugly face of colonialism in Africa, he was taught Never schools in France. But Africans do not want to let it go. Across the continent, liberation movements are born. Violently repressed by the settlers, they relentlessly pursue their claims. The film ends with the hope of release, the first fruits of independence which the wind blows a few years later.

46 years of censorship

In 1949, the League of Education control René Vautier, a young man of 21, who recently completed his directing studies at the Institute for Advanced Film Studies, a film about the lives of villagers in West Africa French to be shown to students in France. For several months, he traveled the Upper Volta (Burkina Faso), Mali, Côte d'Ivoire and Ghana. Outraged by the inhuman working conditions and humiliating blacks, René Vautier it the first anti-colonial film.

face the hostility of the authorities of the time he gets help from African students going to France to bring the 50 rolls that he has. In Paris, Vautier gives them to the League of teaching. But the police seized. The director still manages to steal 17 rolls, it will develop and add sound later. At the end of the year 1951, he organized the first release of the film in Quimper, France, with the support of youth movements. "Africa 50" was immediately banned in France. Despite this, the film continues to be broadcast. Vautier was sentenced to one year in jail and held for several months.

In an interview aired just after the film, René Vautier says that in 1994, "Africa 50" was presented by the Ministry of Foreign Affairs. It was determined following the career Vautier, who account for roughly 25 committed documentaries, both on racism in France over the war in Algeria. In 1974, René Vautier has received a special tribute from the Film jury racist for all of his work.

Stephanie Dongmo

Technical

Title: Africa 50

Released: 1950, France

Length: 17 mm

Genre: Documentary

Director: René Vautier

Production: League French education, René Vautier

Distribution: Cinémathèque de Bretagne

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Aime Cesaire Soon the Hall


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Martinique poet will be honored in France next April.

January 7, French President Nicolas Sarkozy during a visit to Fort de France, announced that France will honor the Memory of Aimé Césaire in April 2011. To this end, a national tribute will be made and a plaque bearing the name of the writer died in 2008 at the age of 94 will be sealed in the Pantheon. However, the body of the author of "Notebook of a Return to My Native Land" will not be moved in Paris, according to a requirement of his family. Also, this entry will she embodied by a plaque at the entrance to the monument to honor the characters and to recall events that have marked the history of France.

his lifetime Césaire relations, deputy mayor of Fort-de-France, Martinique, and Nicolas Sarkozy have not always been very friendly. As a reminder, in 2005, Césaire refused to meet Sarkozy, then Interior Minister under Jacques Chirac, to protest against the adoption of a law requiring the teaching of "positive" de la colonisation dans les écoles. Cette loi qui a été abrogée en 2006 allait, en effet, à contre-courant des valeurs qu'à défendues Césaire dans « Discours sur le colonialisme ». Dans ce livre paru en 1950, il décrie les méfaits de la colonisation : « On me parle de progrès, de maladies guéries, de niveaux de vie élevés (...) Moi, je parle de sociétés vidées d'elles-mêmes, de cultures piétinées, de terres confisquées, de religions assassinées, de magnificences artistiques anéanties... ». En dépit de l'immensité de son œuvre, le chantre de la négritude n'a jamais été admis à l'Académie French.

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Minutes: character, sex beats Drucker

The Cameroonian writer succeeded in appeal against the French leader for a book commissioned and maintenance never published.

The Court of Appeal of Paris ordered the French presenter Michel Drucker, to pay 40,000 euros (about 26 million CFA francs) to the Cameroonian writer character, sex, for her work on a book that has ever emerged. The verdict was made on January 12, reversing a ruling of first instance.

Indeed, character, sex was partially deciphered a book interview sixty pages that Michel Drucker was carried out in 2005, with the philosopher Regis Debray, published by Albin Michel in France. The book has never emerged. Character, sex will be compensated for his lost time.

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World 2010: The hammering of the Lions told in a book

Journalist Jean-Bruno Tagne just published an essay entitled
"Programmed to Fail" published Schabel of Yaounde.




"Programmed to Fail. Investigation on the collapse of the Indomitable Lions in South Africa "is the title of this book that promises to make waves in the worlds of football in Cameroon. Written by journalist Jean-Bruno Mountain, it has been published by the Yaoundé Schabel headed another journalist, Haman Mana.

The book is prefaced by Gérard Dreyfus, somehow, the balance of the participation of the national football team of Cameroon in South Africa, where she has been conspicuous by its failure. "The Indomitable Lions of Cameroon were the first team eliminated from the competition. Three matches, three defeats and a poor figure, "wrote the author does not say things to gangs as it appeared during its lengthy investigation.

The relationship between Samuel Eto'o, the Indomitable Lions captain, and sports journalists is laid bare in celivre rich in revelations. In late July 2009. Samuel Eto'o is staying in Yaounde and invited eight journalists in his room at the Hilton. "In this large room, they gaze riveted on Samuel Eto'o son, moved the air (...) One million francs CFA. Samuel Eto'o is the package that it swings from one hand to another as for fun. The journalists themselves, have their eyes on the money. As the dog Engamba in "The old negro and the coin", they are head that moves in the direction where the packet of money goes into the hands of Eto'o. Left-right-left-right ". Page 91.

Jean-Bruno Tagne wanted to take advantage of its participation in the World Cup to show that the Cameroonian football is managed with amateurism and incompetence. For him, the talent of the players alone can not suffice to win matches, it must be accompanied by a clear vision of goals and a good organization. "The failure was just the culmination of a number of events that have succeeded, hence the title" Programmed to Fail " explains who is on her first book.

aged 30, Jean-Bruno Tagne is head of the Sports desk at The Day newspaper in Yaounde.

Stephanie Dongmo

Jean-Bruno Tagne
Programmed to Fail
Publishing Schabel, Yaounde, 2010
202 pages
Price : 10 000Fcfa

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Arice Siapa "We had to draw money in our pockets"

The promoter of the International Film Festival of Ngaoundere takes stock of the 2nd edition, held from 8 to 12 January 2011.


What is your assessment of the 2nd edition of the Joint International Film Festival?
This edition has been positive. Unlike the first where we had achieved 60% program, it is 95%. All screen printing workshops, audiovisual and music have been made, and all the films that have been announced projected outside a movie, "In the shadow of another" Francine Kemegni, because that we had problems with the media.
There were similar problems with other carriers during the screenings ...
In general, people are asked to send at least two DVDs, but they did send one and it scratches. But at the last minute, we have everything scanned into computers and finally everything went well.
At the University of Ngaoundere, there was no projection as provided in the program. What happened?
All places have not been invested, and so I spoke with a completion percentage of 95%. At the station, we asked for projections of space travelers, but we have not had the agreement. We did not had a partnership agreement with the university to show films to the campus or even in the booth.
The objectives of this festival have been achieved?
Like any festival, its objectives are the exchanges and meetings. And then there was a partnership that has developed between the festival and IATA (Institute of arts education, technology, science and craft of Namur in Belgium, ed.) The exchange went smoothly between young Cameroonians and young Belgians. We also had a panoramic view of the state action for the development of cinema in Cameroon, Germany and Belgium. We hope everyone has been enriched by the experience of another.
What are the forecasts for the next edition?
A little more training. I'll make a few trips abroad to establish the resolution that was taken here to create a center of trade with Namur, through which Cameroonians will be formed by screen printing, and why not, participate in festivals there . I am convinced that mobility is crucial to artistic things are progressing, it is what the artists can move. The next festival will be held in 2012 but not earlier this year because financial difficulties. These are state or private contributions that fund a festival. We have not had that opportunity then, and would have to change.
what was the original budget and how much did you meet?
We did not get much, 150 000Fcfa on a budget of 25 million CFA francs. We had to lessening the things and we had to completely dig into our pockets.
Interview by Stephanie Dongmo

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Debate: The state support to the cinema

is the theme of an organized exchange last January 11 in Ngaoundere, under the Joint International Film Festival.

The state intervention in the development of cinema is the subject of a lively debate held Tuesday, January 11 last to the city hall of Ngaoundere, under the Joint International Film Festival (January 8-12). Around the table, four panelists: Cyrille Masso, director, producer and sponsor of the festival, Serge Pascal Oumarou Regional Representative for Culture Adamawa, Emmanuel Tentchou, chief of regulation and control the direction of the Department of Film Culture and Klaus Becker, director of Film
büro of Bremen in Germany , came to share his experience.

outset, Emmanuel Tentchou talked about what the State to support cinema production in Cameroon which he described as "insignificant": participation in national festivals and international support for creation of the selected works by the Commission of Fine Arts to benefit from the Trust Account in support of cultural policy, state involvement in the protection of works by
copyright and related rights law to author, the adoption of the law on legal deposit, training through the creation of arts courses in universities ... All actions "within the limits of budgetary possibilities," he said though. Thus, in 2010, a dozen film projects were eligible for funding. Only holders of eligible works does not always receive that money when they need it most.
Tentchou Emmanuel explained that the Minister of Finance who is the manager
public finances. Cyrille Masso

him, deplored the vagueness that exists in the selection criteria
works and the lack of an actual and direct production support
youth whose works usually cost cheaper. The regional delegate responded that young people should be supporting the projects of the Ministry of Youth including Pajer-U and PIAASI.

The discussion was fruitful recommendations. Cyrille Masso, the organization of professional lobbying group is necessary for the development of cinema. Emmanuel Tentchou adds to this condition the public awareness of film culture. Serge Pascal Oumarou, these foundations should encourage the States General of cinema. He said he was ready to support lobbying professionals to enroll as town halls
cultural activities in their programs. He also called for a synergy between actors and directors of the culture for a successful film.

Stephanie Dongmo

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Cinema: To end the mob justice

The call of "criminal sentence", a film by Prince Dubois Onana which was screened on 8 January Ngaoundere, at the opening of the Joint International Film Festival.

The film begins as a 86 minutes documentary. To set the scene, Prince Onana Dubois, the director, tells the parallel justice that Cameroonians have adopted to facing increasing banditry, while questioning its purpose. Fiction can begin, worn by Alain Bomo Bomo honorably in the role of Snake and Toni Bath playing Sat

"criminal sentence", screened Saturday, January 8, in ouvertrure International Film Festival Joint Ngaoundere, tells the story of a young daughter, Sam, Isamël engaged to a footballer in the making. She rejects the advances of Snake, the leader of a gang spreads terror in the neighborhood. Furious, it rises suddenly to accuse Ismail of theft and lynched by the population. Sam decides to take revenge and kills Snake and his band in a scenario worthy of a Hollywood movie. But that's it. The scene that met the public outraged by the murder of football player, was only a dream by Sam The police finally get their hands on the criminals. But Snake will be released at the request of his uncle minister.

The film is full of surprises. Some scenes are poignant, like the killing of Ismael. After beating him to death, people have unleashed tires stacked on it they doused with petrol before setting it on fire. The makeup was able to give an image of burned skin, with whole chunks of flesh red falling to pieces. Horrible. Hugging. Scary. Music Denguemo Corry, a long cry of lamentation, adds to these feelings.

The film, shot in French and subtitled in English, is strikingly realistic, and realism is played on the details. As framed portrait of Paul Biya, President of the Republic, placed prominently in the commissioner's office. As the torture to which the police use to extract confessions from criminals.

"criminal sentence" could end with the vengeance of Sam But the director wanted to thwart the viewer to add to the suspense. Consequently, the film lost in clarity, because the main message is retouve diluted in a slew of other themes such as influence peddling. Finally, we retain the people who believed to protect themselves from theft, victim, has become the executioner. The film was shot between 2005 and 2006, when the government decided to fight against the mob, with mixed results.
"criminal sentence" is out on DVD and is priced at 5000Fcfa.

Stephanie Dongmo

Technical

Title: Sentencing criminal
With Toni Bath, Alain Bomo Bomo, Stephen Eben ...
Director: Prince Dubois Onana
Released: 2007
Genre: Drama
Type: fiction
Length: 86 min

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Post of November 29, 2010

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Documents lost	Owners	Benefactor
INC	-Name: NORBERT TONFANG NALELIENZE Father : EMMANUEL TONFANG Mother: CHRISTINA TONFANG Address: DLA-KM5 Exp: 09/04/2020 -Name: YAMANOU NGWEKO SEVERINE NATASHA Father : PAUL YAMANOU Mother: ROSE NTOUKO Priso Address: DLA-MAKEPE Exp: 22/06/2019 - Name: NLENG SIRYLLE Father: HENRI NLENG Mother: CATHERINE NGO Yomba Address: DLA-NDOGBONG Exp: 25/01/2017 -Name: JOHN JOEL ABESSOLO ELATE NARCISSE Father: ELATE BELINGA JOSHUA Mother: NGONO Eyong GERMAINE Address: DLA-Bépanda Exp: 17/01/2016 -Name: CHEICCK OUMAR ABBA AMBA Father: PND Mother: AKAN DO MANDARA Address: DLA-NDOGSIMBI Exp: 26/04/2020 -Name: GEORGETTE TSOPKENG LASSIE Father: FRANCOIS ANANTSA Mother: LOUISE MBENGA Address: YDE-ODZA I Exp: 24/05/2017	99 92 44 45

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Book: Introducing new French


Through the story of four destinies of women in love, Leonora Miano describes France multiracial today.

In this life, is there something more important than love? No, the answer would be to Leonora Miano. Because "we live more love than the family allowance, "the Cameroonian writer has made the central theme of his latest book," Blues for Elise. " This novel tells the story broke out of four women who have made the search for love of their life's ambition. They are in their thirties, employment, housing, and no problems with papers.

After two years of "fallow" Akasha is more than ever determined to find love. She does not want to end up like her mother, cane sugar that has been chewed and spat pressed. But when it's time to get into the speed dating [dating fast and in series, note], it remains at the shore of life where it failed. Since qu'Amahoro, the extravagant, made her lover a special caress an eminently private, he took his distance, convinced that she has hidden dark sides of its existence. Malaika is one of those whose body chubby recounts the battles lost to "enter into the norm." On the eve of her wedding, she is assailed by doubts. And if Kwame did marry that to have the papers? Foreign his own family, Shale is in love with a man who convinced him to return with him on the continent that is his. Leonora Miano

tells two generations of women indestructible bondsmen and struggling to get out of shots in which the men were locked up for better take it easy. Besides four, there Elise, Fanny, Marianne, Jewelry, Coco ... A slew of characters whose stories intertwine and collide sometimes requiring the player more attention. Leonora Miano

wanted to light a novel while remaining on the account of the intimate Afropéens injury, a term which is expensive and has already developed "Like extinguished stars." It is about love. But love is dependent on the society in which we live. Thus do we find in "Blues for Elise" of issues involved as the search for identity, the weight of traditions, ancient hatreds between Caribbeans and Subsahériens. Miano said, interior, internal lacerations, the dismemberment of women caught between two worlds, their difficult "Remembrance" for the past finally become history, instead of the perpetual present.

To speak of a multiracial France, new French, she chose to write a novel hybrid where there are Creolism, anglicisms camfranglais and musical interludes. The book in which one swings alternately with Millie Jackson, Sandra Nkaké Valery Boston and Casey is good reading with musical accompaniment, to grasp the full meaning and let penetrate the universe of the author.

Stephanie Dongmo

Leonora Miano

Blues for Elise (novel)

Ed. Plon, Paris, September 2010 196 pages

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Cinema: A film festival to mixed


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The 2nd Joint International Film Festival (FIFM) takes place in Ngaoundere of 8 to 12 January 2011 on "cinema and music." Program: workshops, screenings fiction films and documentaries, and roundtables. Organised by the association Direct Action chaired Arice Siapa, this festival aims to bring together producers, actors, technicians and film distributors.

According to its organizers, the FIFM is intended as a platform for reflection film professionals on the realities and the future of their profession in the North in particular and Cameroon in general. For this edition, it will reflect on the value of music in film. The goal here is to allow musicians to understand the economic outlook and artistic cinema may open.