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Copyright: Journalists and leaders in school

The amphitheater of the School of Science and Information Technology and Communication (ESSTIC) hosted Saturday, April 24, 2010 a training seminar for journalists and cultural workers on the copyright. Meka organized by the association as a prelude to the festival of contemporary dance and percussion called "Abok i Ngoma, said the seminar has attracted a roster of professionals from the pen and microphone. For eight hours punctuated by rich presentations, seminarians have more to gain a better understanding of the cultural environment of Cameroon, learn more about what is truly the copyright and its management in a country where this concept is thrown as food to those who proclaim themselves experts in mastering its contours.

To set the scene, the representative of the President of the African Intellectual Property Organization (OAPI) who has undertaken to redefine the intellectual property, its branches, its role and its targets. It then learns of his keynote speech that if there is frequent misunderstanding in the management of copyright and neighboring rights, for the simple reason that users sometimes ignore the role that is assigned to each structure involved in the chain from creation to promotion and administration of the work. Dr. Christopher Seuna the theme of the presentation was based on copyright and neighboring right has meanwhile told the seminarians that these two entities far from being mere fact that one favors artists, representing a weight in the economy of a country. Taking for example the United States, the holder of the UNESCO Chair also recalled that if the creators of Cameroon are still struggling to identify the management rights in part because Cameroon has not ratified the Rome Convention relating thereto. In this decoding, Dr. Seuna took the opportunity to briefly introduce some seminarians economic rights (right of marketing, conversion privilege ...) One theme that has marked the day is that of "cultural information in the media in Cameroon and the constraints of ethics and conduct" has presented Dr. Charles Augustine Mbia. The fruitful exchange with journalists and presenters, we held that certain issues are unacknowledged and the power of money that foster ethical drifts become legion in the two trades mentioned above. The real art critic sounding conspicuously absent, judging the quality of a literary or artistic work is similar today to praise against its creator. It is to avoid lapsing into the "praise-singing" that "journalists should be formed to explain to outsiders the management and operation of copyright," the teacher recommended the Esstic.

Believing that their corporation is currently suffering from a certain lack of credibility, the facilitators hoped to different moderators to be assigned in the near future a status that they think would help some respects from society against them.

By CHRISTIAN.TCHAPMI their usual torpor rural. Twenty talented artists in the rough, in fact young people out of school whose age ranges between 15 and 30 years, has taken over the podium of fortune. It is only after five years of hard work in the structures of the AFC partners, including genes located on the street to Deido Kotto, rising stars wanted to show what they had in the guts.

Thus, under the leadership of the inspired soul band called Universal ngosso love (Papso piano, guitar Farence Mayem rhythm, guitar solo Henry Flat and the choir Reno.j and Abel) the star power of music in Cameroon have strolled a young audience on several tunes. World music stole the show will be local production. The fans of this genre, namely youth, went not bored. From the edgy soul through zouk, rap and other techno, everything is gone. Lovers of African music pure and simple were not poor children. First class show the group has performed to the delight of cheering fans, titles Sergio Polo, and his long long kirikou that continues to rage, rhumba Fally Fally aka the Wonder handicap. In detail, in Reno.j known as the Civil Atangana Hilaire Patient, age 28, songwriter, through two songs performed masterfully showed how good he is in soul. My kids, who opened his first song on the passing scene is an invitation to address the parents so that they are more responsible, more likely to supervise their children that they sometimes leave to thank you for the robbery and prostitution . Reno.ja also paid glowing tribute to the mother of mankind. La Femme was a wink that the young singer made the place of the fairer sex, victim prejudices. Abel has shown a mixture that is not going to mind the twins Masao. I'm just a man, I screwed up "featuring Kerl.K (Yintsop Raphael Lewis, 23 years) were greeted by a crowd on the edge of ecstasy. Zanny, in the Zouk Pierrette Adams was amazed with its sugar honey, hailed for its value by a thunderous applause. Antanasus with his reggae tonic Mayem Francis Cyril and Otake, which means you're disturbing in Duala, a bolobo eclectic and full of other young people have shown they have big potential.

A framework for development

For the president of AFC Ganze Eleanor, the concert music of budding talent was mobile to "present the work done over the past five years. He acted in a professional training in various fields such as music, sewing, carpentry, processing of natural products, agriculture ... Our goal was to bring the youth to combat idleness by the introduction to various careers in art. All this in line with their socialization, "she said. To achieve its lofty goals, Ganze Eleanor and her team have unchanged on velvet. Pitfalls that have names for the lack of financial, logistical and equipment, lack of subsidies from government or other organizations, the difficulty of communicating with young people ... have failed to wring the neck of a worthy endeavor that needs to be sustained. Anyway, Ganze does not give up. She swears by hand on the heart to pursue this course by setting up training centers Sodiko as it is to find a framework for development for vulnerable children. To see ... By ALAIN

NJIPOU

national heroes, artisans struggle for the affirmation of our sovereignty gained, fifty years ago. This production aims to promote national integration, comes in a context of official celebration of the fiftieth anniversary of the independence of Cameroon, whose highlight of the festivities is scheduled for May 20. In this perspective, Marco Mbella and fifteen of his fellow singing in the official languages (English and French) but also in our local languages. Is there a symbol of national unity as strong a song cadence, revealing the underlying cultural and linguistic diversity of the country?

In any case Marco Cameroon Mbella independent part of "the desire to develop a synergy around a historic celebration. If the organizers of the fiftieth have not thought of creating a work, a song as an anthem, they can own independent Cameroon. He said, Tuesday, April 27, 2010, at the presentation ceremony of the single knights of the pen in Douala. After the flowers of the West Indies in 1997 (a title which was a resounding success), where Marco had the merit Mbella gather around this song cream Cameroonian artists, the father of Marco atmosphere, has revived an updated formula that works. Thus, several generations of singers have agreed to place their voices and images in a single landmark. Andre Marie Tala, Anne Marie Nzié Marthe Zambo, Jean Bikoko Aladin, Sam Fan Thomas, Angel Ebogo Emerand, John Hall, Dina Bell, Bebe Manga, Beko sadeyes Claude Ndam, Chantal Ayissi, Nicole Mara, Belka Tobis, Germaine Ebell Prince Afo Akom, and other accompanying Rantanplan Marco Mbella in a musical adventure in the air.

Album 8 tracks ...

In fact, the single from Marco Mbella landed in stores after a slump in star makossa, dating back to 2002 with the entry in the record market Abel Lions, his third album. The artist did not need gloves to justify the silence deafening. "My professional activities to AES-Sonel (he was assistant director of financial planning and analysis, Editor's note) do not often left me time to realize my musical projects and to be present all the time on the record market . Thank AES-Sonel's intention to accompany me, as a corporate citizen in the launching of the song "Cameroon Independent" which is no longer the work of Marco Mbella alone but of all Cameroonians. The single

Independent Cameroon is a prelude to the release of a fourth album of 8 tracks in various rhythms where you find the slow, the Abel, makossa, rap, zouk, the ambas-Bey. Announced in stores in late May, the production of this album is signed Marco Mbella itself and its delivery by JPS production. By ALAIN NJIPOU